Nobody working in the film business today has the same style as Steven Soderbergh and few are anywhere near as versatile. One minute, he’s working on grim and horrifying dramas that tackle troubling real-world issues like the war on drugs ( Traffic ) and the potential for a global epidemic ( Contagion ); the next, he’s directing another lightweight entry in the Ocean’s Eleven series or a peculiar true-story comedy like The Informant! . 2012 won’t be any different for Soderbergh

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